Saturday, August 14, 2010

Sourwood and TailGate same day!



Oh my. Having enough inventory to cover contributing to two sales in one day is awesome...or gruesome depending upon your viewpoint. Just lugging around a couple of table's worth of pottery and sculpture told me I was over-doing it ...again.


But I had a good day at both venues...considering I set my sights pretty low. And I didn't even haul everything out. I desperately need to sell some things so I have room for the new ones.










I shared sales with the other Mud Buddies at the TailGate market, but I was the only one there to set up and take down the display, as well as to load and unload boxes and crates. Am I complaining? Not really. But my back is. I'm a whimp.


The set up and take down at the Center for the Arts is being done by others. I knew I couldn't extend myself that much. And I did go and share some time being a sales rep for the student and community members to make some money for the Center. We donate a portion of our sales to the Center for supplies and upkeep of the clay studio, which is as it should be.









My sales at the TailGate were pretty good, and I usually don't do as well when other members of our co-op are doing the work at the little booth. They didn't do as good today with me doing the work. So it all shakes out in the end. I like that each week the person in charge shows mostly her own pottery, and this leads to the unbalanced sales. But the good news is that person is the one paying for the booth, so she is reimbursed by her sales.











The Studio Pottery Market is located in the parking lot right outside the studio...and that's up the hill from the entertainment tent at the Sourwood Festival. I am sure that many tired and hot festival-goers don't make it up that hill, unless it's already the direction their car is parked. We had a fair turnout, and many people realized we had quality goods, a great diversity of styles with maybe 20 student potters, and great prices. So of the folks walking by, we had a larger percentage who became customers, compared to those strolling down the lane for the main streets of Sourwood. There may be many more people down on the main drag, but they are mainly "window shoppers," I think.


And the other aspect of our Pottery Market, is that it's a great venue to attract students to sign up for classes at the BMCA. We have brochures telling what classes are available, either for tourists who want short classes while they visit, or local folks who want to be able to start doing something they've longed to do...there's that opportunity available.







I'm also praising the weather gods and goddesses...cause it only rained once, very briefly, but enough to cool things off pretty well. It was easy enough afterward to go around and dump rainwater out of pots and dry them off. They were mostly under the canopy anyway. And due to having cloudy skies all day, Black Mountain hasn't been as hot as it has been lately. That was a major comment at the Tail Gate market this morning, how cool it felt.

So I feel mainly good about the day. The only thing I have any negative feeling about is the batch of mugs that I made for the Sourwood festival, which didn't come out well after the glaze firing. The glaze I put on wasn't adequate for my minimal criteria. It didn't cover the clay enough. So eventually they will be reglazed. Since there are lots of pots waiting to be glazed the first time through, re-glazing is a long wait. But they really aren't salable the way they came out. That happens. Glazing is the last step, and the one that is more often disappointing to a potter. We learn to have low expectations or go home and feel inadequate. Since I can do that to my psyche any day of the week, it's better to just not expect much, and some days I get so excited about something that comes out well. There were 3 little trays that did that today. I didn't even take pictures of them before I set them out to sell. If that happens, I'll be delighted twice over.
So here is the end of a long day for me. Whew.

Monday, August 2, 2010

Sugar/Creamer set

These hand-built sugar and creamers were fun, but very time consuming.
I'm going back to throwing the sugar and creamers. The trays can still be hand built. And I may make a few more scoops...but again, it was a time sink.
I made a yellow and a red tray, one somewhat larger than the other.

The red one was so large I made a special reinforcement for its bottom, which ended up being a pretty neat design.


The scoop had to have an inscription, "sweet" for whichever kind of sweetner is used.








I like leaving the scoop in the sugar bowl, though I stopped doing it when there were critters with 6 legs around to get in it. Now I'm critter free and like the idea of having the top of the sugar bowl notched for the little scoop.

The two trays, which brings up a choice. Do I sell these separate or with the set? I'm thinking separate.






plates

This is a platter with Little Loafers clay, fired in electric kiln to cone 6. This is the most accurate coloring of the glazes, Mexico with Eggshell sponged over it.

Smaller plates had some stamping and a ring of celedon over them.

To give you an idea of how big the platter and plates were. Most of them have sold already, but I've got another set of small plates and 2 platters coming out soon. A bit different in the glazing. Can't wait till Christmas, er, when the kiln is opened and unloaded. Potters love the feeling of surprise, and sometime elation, and sometimes disappointment. I concentrate on the surprise so I can deal with the other 2 emotions!


Three little vases

These fun little vases are all 3-4" tall. I had such fun pushing around Little Loafers clay after throwing them. (color in the group shot isn't quite accurate)
And then the second level of fun was using 3 glazes to get 5 colors.

Inside and on the top outside went Matt Bronze Green.



Then over that on the outside and down to the lowest break showing in the bands went Amber.
After they were both dry, I dipped the bottom up to the second to the lowest break in the bands in Mexico. That way outside you see from top to bottom:
Amber over Matt Bronze Green
Amber
Mexico over Amber
Mexico
And inside you can see the plain MBG where the Amber hasn't dripped.

I keep using the Amber over MBG with such fun results. And Mexico is fun too. These are all glazes at the studio of Black Mountain Center for the Arts.

replacement Bart the cat

My dear friend had a birthday way back on the 18th of July.
I had finished making but not firing her 2 cats in clay.
Then I mailed them in a rickety box, and Bart got broken.
I felt so bad...er badly...and made another cat for her.
But it again took several weeks.

So here is Bart number 2. Or maybe kitten #2-1/2.


I had just 2 pictures of his coloring...and putting it onto a clay figure obviously left a lot to be desired.

The cats did end up different sizes, since the second Bart is a bit larger, I'm pretty sure.


And I made a little tray for them to sit on...if Jinni wants to use it. That's mainly because Fisher, the remaining cat of the first litter, didn't have a bottom.



The tray may just be a Birthday Card. The new Bart does have a bottom. So Jinni will be sure to be able to tell which is which. The real cats have absolutely no problem knowing which one is which.
Love to my friend with whom I attended high school in St. Louis.




Friday, July 23, 2010

Jinni's kitties




These are the ceramic versions of Jinni's kitties. One is a Maine Coon cat, named Fisher. The other is a lovely tuxedo (perahps also Coon) named Bart.
These were Jinni's birthday present this year. She sent me photos of her darlings. I tried to replicate them, but of course I took some artistic license. So did glaze and clay.


There is actually a black and white tray that they are supposed to sit upon...like good little figurines. It is coming out of the kiln today...hopefully. With clay you have to always put that wish in there.


I enjoyed seeing the reactions of all the folks in the studio when I made these cats. I may have to try dogs...but there are so many different breeds. And if the cat were not a nice black and white, say a striped orange or grey...it would have been much harder to glaze. I guess the stripes might not have made it. And I did mix a grey glaze once, but they are hard to do. Not to mention considering my cat who's tricolor. Oh my, I don't think I'll go there!
But I'm also going to have a big Bast cat goddess pretty soon.

Saturday, June 12, 2010

Yoga Goddess & new glazes

This red clay lady has some eggshell glaze lightly applied, leaving her mainly her natural color, of course. Appropriately.

Close up showing some of the glaze.

Close up of her earthy feet, which have something like roots and indeed, she is related to a tree in many ways.


Other foot and root detail.



Yoga Goddess was fired in an electric kiln to cone 6. She stands about 20 inches high.




When a picture was taken in a different environment, the red clay looks different in color. This yoga goddess belongs in Deb Vingle's collecion of art. Deb is my yoga teacher.





This bowl is Little Loafers clay with a sponged on glaze combo. The bowl was thrown, then split on the 4 sides, and then reattached where the splits were overlapped. Top diameter is about 10 inches.






I like this glaze especially. A thrown base, with carved foot area, then slab applied in little torn patches on the upper area.







The sponged on glaze combination is my favorite glaze at this time. This vase stands about 13 inches high.








Detail of the foot area.









Inside the patched pieces of slab have been smoothed together, creating a seamless interior.